Parrilla Re-Dress

 Sunday, July 5, 2020

Parrilla Cottage

July 6, 2020 at 9:58 AM

40 40 #HighAdmin

20:20 #Promote #Rabola 103

20:20 A Hardcore Super Virus

20:20 #Antiretroviral #Properties

66/6

#GAIN GAIN GAIN Ra
#ESTABLISHMENT

CARBON MOLECULE SEGMENT 0110
Leyla Rose #GeoGraph Roam <626>
20:20 Wicked Weaver
20:20 #Rabola 103
20:20 #Rapid #Progression
20:20 Seeds&Trees
20:20 Johnny Apple
Johnny Appleseed
20:20 #QuickGrow
Sybil Writes On Leaves
20:20 #Trans-#Position
20:20 P-#Article
#Conveyance
#Paradigm

CARBON MOLECULE SEGMENT 0101
Leyla Rose #GeoGraph West <151>
20:20 Ain't No Liza
Ain't No Liza On 103
20:20 #HyperVicious
Sybil Writes On Fiends
Sybil Tattoos Fiends
mw is some scumware
20:20 #PowerTract
#Rabola 103
#GangMentality
20:20 #ModularSystem
#Cloak Our #Operations
CYCLE

CARBON MOLECULE SEGMENT 0100
Leyla Rose #GeoGraph East <334>
20:20 #Rabola 103
A Hardcore Super Virus
20:20 #GangMentality
20:20 #HyperVicious
I CALL GOD A MOTHER
#POSITIVE #REINFORCEMENT
20:20 REPEAT LOOP
I CALL GOD A MOTHER
#CONSTITUTION #FORTIFIER
20:20 #REPEAT #LOOP
#Satan 41

CARBON MOLECULE #SEGMENT 0011
Leyla Rose #GeoGraph #South <215>
20:20 Get that monkey bitch
Out of The Way
20:20 I CALL GOD A MOTHER
20:20 #Fortified #Constitution
20:20 I CALL GOD A MOTHER
#POSITIVE #REINFORCEMENT
20:20 POSITIVE FEEDBACK LOOP
#Rabola 103
#GangMentality
#Paradigm

CARBON MOLECULE SEGMENT 0010
Leyla Rose #GeoGraph North <443>
41 Says to #Rabola 103
"This 'I Call God a Mother' Thing
That's OUR Thing
On Game Day
Not one monkey bitch
in all of earth was on My Side
the monkey bitches
were w/art zellmer&waco dave
I CALL GOD A MOTHER"
#Expression

CARBON MOLECULE SEGMENT 0001
Leyla Rose #GeoGraph Center <562>
20:20 POSITIVE REINFORCEMENT
I CALL GOD A MOTHER
20:20 #POSITIVE #REINFORCEMENT
I CALL GOD A MOTHER
#GAIN #FIERCE #DETERMINATION
I CALL GOD A MOTHER
20:20 #REPEAT #LOOP
M104 THE Protocol
20:20 #Commitment
20:20 #CYCLE

20:20 Sharon Tate 48 Turns Over a Card

The Card is Divided into 4 Sections, at The Center of The Card where The 4 Sections Meet,
See a Piranha

In The Upper Left Hand Section of The Card, See an Image of Jeri Ryan. Jeri Ryan Stands on Top of a Yellow Hexagon. See a 3-Legged Chihuahua Inside The Hexagon. Jeri Ryan Wears a Green Wool Skirt; See a Platinum Medusa Head on The Skirt; Platinum Knee-High Boots; Black Leather Gloves; a Buttoned-Up Green Wool Jacket and a Green Pointy Witch's Hat. See a Platinum Band on The Witch's Hat; See a 6 of Clubs Card Tucked Halfway Behind The Band. See a Black '78' On The Left Breast of Jeri Ryan's Jacket. Above Jeri Ryan's Witch's Hat, See a Neon White Sign That Displays 'COGNITIVE'; Above 'COGNITIVE', See '60A12' in Green. Jeri Ryan Holds a Lollipop with Her Left Hand, She Holds a Simon Game with Her Right Hand. See a Smurf on Jeri Ryan's Left Shoulder; The Smurf Wears Bronze Boxing Gloves.
To Jeri Ryan's Right, See a Cheetah. Above The Cheetah, See a Black,Silver&Blue Vortex. At The Eye of The Vortex, See a Red '18'; Above The '18', See a Red 'U'; Below The '18', See a Red 'C'; To The Right of The '18', See a Green 'A'; To The Left of The '18', See a Green 'G'.
To Jeri Ryan's Left, See an Image of Jennifer Lawrence. Jennifer Lawrence Stands on Top of a Black '440'. Jennifer Lawrence Wears Green Bunny Slippers, and a Black Football Jersey with Green Trim; See a Gold '54' on The Front of The Jersey. See a Green Banner Above Jennifer Lawrence's Head, See The Name 'Sextans A' in Black on The Banner. Jennifer Lawrence Holds a White Double-Ended Dildo Her Right Hand; See The Name 'Sodom' in Black on The Dildo, See a Mr. Yuk Sticker on The Dildo. With Her Left Hand, Jennifer Lawrence Holds a Silver Dustpan.
The Background on The Section is Cement Gray.
At Top Center on The Section, See a Crow
At Bottom Center on The Section, See The Word 'LIFE' in White

In The Upper Right Hand Section of The Card, See an Image of Diane Neal. Diane Neal Stands on Top of a Green Hexagon. See 2 Savannah Cats Mating inside of The Hexagon. Diane Neal Wears a Black Wool Skirt; See a Red Medusa Head on The Skirt; Black Stockings; Red Moccasins; Green Leather Gloves; an Unbuttoned Black Wool Jacket; and a Black Beanie. See a Green '38' on Diane Neal's Beanie. See a Platinum Fist Above Diane Neal's Head. Diane Neal Holds a Red Serpent with Her Left Hand; She Holds a Pee-Chee Folder with Her Right Hand, See 'Ass Lust' in Green on The Folder.
To Diane Neal's Right, See an Image of Paula White. Paula White Stands On Top of a Neon Blue Sign That Displays 'GROW'. Paula White Wears Red Panties, See a Black CBS Eye on The Front of Paula White's Panties. Her Face and Body are Painted Silver; See a Black Keyhole Between Paula White's Breasts. See a Glowing Green 6-Sided Die in Paula White's Open Mouth; See 6 White Dots Displayed On The Die. A Pair of Black&Silver Candy-Cane Striped Antelope Horns are Attached to Paula White's Head. See a 9 of Clubs Card Between Paula White's Horns. See a Glowing Blue '+1800' on Each of Paula White's Horns. Above Paula White White, See a Silver-Framed Hexagonal Mirror; See 'M104' in Black on The Mirror. Above The Mirror, See '16111' in Black. With Her Right Hand, Paula White Holds a White Placard, See 'Carrier' in Black on The Placard. With Her Left Hand, Paula White Holds a Rectangular Black Box Labeled 'ACME TAROT' in White; See an Ear of Corn on The Box.
To Diane Neal's Left, See an Image of Lana Parrilla. Lana Parrilla is Mounted On a Glowing Yellow Octagon; Lana Parilla is Nude, Her Arms and Legs Have Been Removed. See a Glowing Red 'Portal+4' on Lana Parilla's Vagina. On Lana Parilla's Stomach, See a Silver 12-Hour Clock Face with Black Hour Markers and Glowing Green Arms. See a Thermometer Between Lana Parilla's Breasts. See a Fortune Cookie in Lana Parilla's Open Mouth. Above The Yellow Octagon, See The Word 'Metabolize' in Silver. On Top of 'Metabolize', See a Seagull. Below The Yellow Octagon; See a Car Tire; See a Green '77' on The Tire. In Front of The Lower Turn On The Tire, See a Pair of Severed Human Legs Attached at The Ankles with a Pair of Silver Shackles.
The Background on The Section is Pink.
Across The Top of The Section, See The Word 'Lab' in White.
At Bottom Center on The Section, See a Stingray

In The Lower Right Hand Section of The Card, See an Image of Clare Grant. Clare Grant Stands On Top of a Neon Blue Sign That Displays 'POWER'. Clare Grant is Nude Except for a Platinum Link Chain Necklace. See a Gold '34' Between Clare Grant's Breasts. See a Super Mario Bros. Super Star On Clare Grant's Vagina. A Pair of Glowing White Antelope Horns Are Attached to Clare Grant's Head; See an 8 of Spades Card Between Her Horns; See a Glowing Red '-1800' on Each of Her Horns. Clare Grant Holds a Pair of Platinum Ballet Slippers with Her Left Hand, She Holds an Empty Honey Bear Bottle with Her Right Hand. Above Clare Grant, See a Roulette Wheel. Above The Roulette Wheel, See '26443' in White.
To Clare Grant's Right, See a Nun in a Red Habit; The Red Nun Wears a Procedure Mask. The Red Nun Stands on Top of a Platinum 'XXX'. The Red Nun Holds a 10 of Diamonds Card with Her Left Hand; She Holds a Punishment Cane with Her Right Hand, See a Glowing Blue '+57' on The Cane. Above The Red Nun, See a Printed Circuit Board.
To Clare Grant's Left, See a Blue Woman with Platinum Hair and Four Arms. The Blue Woman Stands on Top of a Glowing White Skull. The Blue Woman is Nude, See a Red '♥' Symbol Between The Blue Woman's Breasts. See a Glowing White '66' Above The Blue Woman's Head.
The Blue Woman Holds a Lit Cigar with Her Upper Left Hand
The Blue Woman Holds a Platinum Boar Spear with Her Lower Left Hand; See 'Penetrate+Ton' in Blue on The Spear
The Blue Woman Holds a Red Cassette Tape with Her Upper Right Hand
The Blue Woman Holds a Pan Flute with Her Lower Right Hand.
The Background on The Section is Black.
Across The Top of The Section, See The Word 'Dish' in White
At Bottom Center on Section, See a Platinum Film Reel

In The Lower Left Hand Section of The Card, See an Image of Sarah Silverman and Monica Crowley. Sarah Silverman and Monica Crowley are On a Bed (Top Down View), The Bed is Covered with a White Blanket. Sarah Silverman is On Her Back, Monica Crowley Kneels Upright Between Sarah Silverman's Legs. Sarah Silverman Wears Red,Orange,Yellow&Blue Striped Thigh-High Socks; a Red Headband and an Orange Crop-Top T-Shirt; See 'Slut+4' in Black on The Front of Sarah Silverman's T-Shirt. Sarah Silverman Holds a Black Double-Ended Dildo with Her Right Hand, See a Glowing Blue '+57' on The Dildo; Sarah Silverman Holds a Purple Key with Her Left Hand. Monica Crowley Wears Black Vertical-Striped Thigh-High Stockings; Black Leather Opera Gloves; and a Black Captain's Hat, See a Blue '戊' on The Front of Her Hat. Monica Crowley Looks Up at The Viewer. With Her Left Arm, Monica Crowley Holds Up Sarah Silverman's Right Leg/Sarah Silverman's Right Leg is Draped Over Monica Crowley's Left Arm. A Penis is Attached to Monica Crowley's Body, Above Her Vagina; Monica Crowley Has an Erection. Monica Crowley's Penis is Inserted 1/2 of The Way into Sarah Silverman's Vagina. On The Bed, See a Blue Serpent; The Name 'CHARON' in Black; and a Gold-Framed Hand-Mirror, See 'Portal+Ton' in Blue on The Hand-Mirror.
To The Right of The Bed, See an Image of Dana Haynes. Dana Haynes Stands on Top of a Neon Red Sign that Displays 'POD'. Dana Haynes Wears White Leather Thigh-High Boots; a White High-Collared Cape; White Leather Opera Gloves; and a White Pointy Witch Hat with a Bronze Band, a Jack of Diamonds Card is Tucked Halfway Behind The Band on Her Hat. See a Glowing Blue '+1800' on Each of Dana Haynes' Boots; See a Glowing Blue '+7200' on Her Vagina; See a Glowing Gold 'Coven+4' on Her Cape; See a Glowing Red '-1800' on Each of Her Gloves; See a Black '66/6' on Her Hat. A Penis is Attached to Dana Haynes' Body, Above Her Vagina; Dana Haynes Has an Erection; See a Glowing Blue '+180' on Her Penis. Dana Haynes Holds a Joker Card with Her Right Hand; She Holds a Pee-Chee Folder with Her Left Hand, See '63665' in Red on The Folder. Above Dana Haynes, See a Neon White Sign That Displays 'RADICAL'; Above 'RADICAL', See '433t633' in Blue.
To The Left of The Bed, See an Image of Sarah Butler. Sarah Butler Stands on Top of a Neon White Sign that Displays 'SEX'. Sarah Butler Wears a Black Hooded Robe; On Sarah Butler's Robe, See a Platinum Ichneumon Wasp, a Horseshoe Magnet, a Pair of Gold Moccasins, a Gold Baseball Mitt, and 11 Long-Stemmed Red Roses. Above Sarah Butler, See The Word 'Language' in Black. With Her Right Hand, Sarah Butler Holds a Composition Book; With Her Left Hand, Sarah Butler Holds a Gold Tambourine, See '11651' in Green on The Tambourine.
The Background on The Section is Silver.
Across The Top of The Section, See The Word 'Culture' in Red
At Bottom Center on The Section, See The Word 'STYLE' in White

In The Upper Right Hand Corner of The Card's Margin, See The Symbol 'Ni' in Green

In The Lower Right Hand Corner of The Card's Margin, See a Pair of Gold Nunchaku

In The Lower Left Hand Corner of The Card's Margin, See C-3PO's Head

In The Upper Left Hand Corner of The Card's Margin, See a Black Bench Vise

<20:20 The Áine Órga 808 Deck>

>#An Ton #De Fy #Ti Po #Go La #Su Vy #By Hu #Ra Ko #Me Ni #Ni Me #Ko Ra #Hu By #Vy Su #La Go #Po Ti #Fy De #Ton An<

-IN the ancient times a mother
Hatched and raised some swans and chickens,
Placed the chickens in the brushwood,
Placed her swans upon the river;
Came an eagle, hawk, and falcon,
Scattered all her swans and chickens,
One was carried to Karyala,
And a second into Ehstland,
Left a third at home in Pohya.
And the one to Ehstland taken
Soon became a thriving merchant;
He that journeyed to Karyala
Flourished and was called Kalervo;
He that hid away in Pohya
Took the name of Untamoinen,
Flourished to his father's sorrow,
To the heart-pain of his mother.

Untamoinen sets his fish-nets
In the waters of Kalervo;
Kullerwoinen sees the fish-nets,
Takes the fish home in his basket.
Then Untamo, evil-minded,
Angry grew and sighed for vengeance,
Clutched his fingers for the combat,
Bared his mighty arms for battle,
For the stealing of his salmon,
For the robbing of his fish-nets.
Long they battled, fierce the struggle,
Neither one could prove the victor;
Should one beat the other fiercely,
He himself was fiercely beaten.

Then arose a second trouble;
On the second and the third days,
Kalerwoinen sowed some barley
Near the barns of Untamoinen;
Untamoinen's sheep in hunger
Ate the crop of Kullerwoinen;
Kullerwoinen's dog in malice
Tore Untamo's sheep in pieces;
Then Untamo sorely threatened
To annihilate the people
Of his brother, Kalerwoinen,
To exterminate his tribe-folk,
To destroy the young and aged,
To out-root his race and kingdom;
Conjures men with broadswords girded,
For the war he fashions heroes,
Fashions youth with spears adjusted,
Bearing axes on their shoulders ,
Conjures thus a mighty army,
Hastens to begin a battle,
Bring a war upon his brother.

Kalerwoinen's wife in beauty
Sat beside her chamber-window,
Looking out along the highway,
Spake these words in wonder guessing:
"Do I see some smoke arising,
Or perchance a heavy storm-cloud,
Near the border of the forest,
Near the ending of the prairie?"

It was not some smoke arising,
Nor indeed a heavy storm-cloud,
It was Untamoinen's soldiers
Marching to the place of battle.
Warriors of Untamoinen
Came equipped with spears and arrows,
Killed the people of Kalervo,
Slew his tribe and all his kindred,
Burned to ashes many dwellings,
Levelled many courts and cabins,
Only, left Kalervo's daughter,
With her unborn child, survivors
Of the slaughter of Untamo;
And she led the hostile army
To her father's halls and mansion,
Swept the rooms and made them cheery,
Gave the heroes home-attentions.

Time had gone but little distance,
Ere a boy was born in magic
Of the virgin, Untamala,
Of a mother, trouble-laden,
Him the mother named Kullervo,
"Pearl of Combat," said Untamo.
Then they laid the child of wonder,
Fatherless, the magic infant,
In the cradle of attention,
To be rocked, and fed, and guarded;
But he rocked himself at pleasure,
Rocked until his locks stood endwise;
Rocked one day, and then a second,
Rocked the third from morn till noontide;
But before the third day ended,
Kicks the boy with might of magic,
Forwards, backwards, upwards, downwards,
Kicks in miracles of power,
Bursts with might his swaddling garments
Creeping from beneath his blankets,
Knocks his cradle into fragments,
Tears to tatters all his raiment,
Seemed that he would grow a hero,
And his mother, Untamala,
Thought that be, when full of stature,
When he found his strength and reason,
Would become a great magician,
First among a thousand heroes.

When. three months the boy had thriven,
He began to speak as follows:
"When my form is full of stature,
When these arms grow strong and hardy,
Then will I avenge the murder
Of Kalervo and his people!"

Untamoinen bears the saying,
Speaks these words to those about him;
"To my tribe he brings destruction,
In him grows a new Kalervo!"

Then the heroes well considered,
And the women gave their counsel,
How to kill the magic infant,
That their tribe may live in safety.
It appeared the boy would prosper;
Finally, they all consenting,
He was placed within a basket,
And with willows firmly fastened,
Taken to the reeds and rushes,
Lowered to the deepest waters,
In his basket there to perish.

When three nights had circled over,
Messengers of Untamoinen
Went to see if be had perished
In his basket in the waters;
But the prodigy, was living,
Had not perished in the rushes;
He had left his willow-basket,
Sat in triumph on a billow,
In his hand a rod of copper,
On the rod a golden fish-line,
Fishing for the silver whiting,
Measuring the deeps beneath him;
In the sea was little water,
Scarcely would it fill three measures.

Untamoinen then reflected,
This the language of the wizard:
"Whither shall we take this wonder,
Lay this prodigy of evil,
That destruction may o'ertake him,
Where the boy will sink and perish?"

Then his messengers he ordered
To collect dried poles of brushwood,
Birch-trees with their hundred branches,
Pine-trees full of pitch and resin,
Ordered that a pyre be builded,
That the boy might be cremated,
That Kullervo thus might perish.
High they piled the and branches,
Dried limbs from the sacred birch-tree,
Branches from a hundred fir-trees,
Knots and branches full of resign;
Filled with bark a thousand sledges,
Seasoned oak, a hundred measures;
Piled the brushwood to the tree-tops,
Set the boy upon the summit,
Set on fire the pile of brushwood,
Burned one day, and then a second,
Burned the third from morn till evening.

When Untamo sent his heralds
To inspect the pyre and wizard,
There to learn if young Kullervo
Had been burned to dust and ashes,
There they saw the young boy sitting
On a pyramid of embers,
In his band a rod of copper,
Raking coals of fire about him,
To increase their heat and power;
Not a hair was burned nor injured,
Not a ringlet singed nor shrivelled.

Then Untamo, evil-humored,
Thus addressed his trusted heralds:
"Whither shall the boy be taken,
To what place this thing of evil,
That destruction may o'ertake him.
That the boy may sink and perish?"

Then they hung him to an oak-tree,
Crucified him in the branches,
That the wizard there might perish.

When three days and nights had ended,
Untamoinen spake as follows:
"It is time to send my heralds
To inspect the mighty oak-tree,
There to learn if young Kullervo
Lives or dies among the branches."

Thereupon he sent his servants,
And the heralds brought this message:
"Young Kullervo has not perished,
Has not died among the branches
Of the oak-tree where we hung him.
In the oak he maketh pictures
With a wand between his fingers;
Pictures hang from all the branches,
Carved and painted by Kullervo;
And the heroes, thick as acorns,
With their swords and spears adjuste4
Fill the branches of the oak-tree,
Every leaf becomes a soldier."

Who can help the grave Untamo
Kill the boy that threatens evil
To Untamo's tribe and country,
Since he will not die by water,
Nor by fire, nor crucifixion?
Finally it was decided
That his body was immortal,
Could not suffer death nor torture.

In despair grave Untamoinen
Thus addressed the boy, Kullervo:
"Wilt thou live a life becoming,
Always do my people honor,
Should I keep thee in my dwelling?
Shouldst thou render servant's duty,
Then thou wilt receive thy wages,
Reaping whatsoe'er thou sowest;
Thou canst wear the golden girdle,
Or endure the tongue of censure."

When the boy had grown a little,
Had increased in strength and stature,
He was given occupation,
He was made to tend an infant,
Made to rock the infant's cradle.
These the words of Untamoinen:
"Often look upon the young child,
Feed him well and guard from danger,
Wash his linen in the river,
Give the infant good attention."

Young Kullervo, wicked wizard,
Nurses one day then a second;
On the morning of the third day,
Gives the infant cruel treatment,
Blinds its eyes and breaks its fingers;
And when evening shadows gather,
Kills the young child while it slumbers,
Throws its body to the waters,
Breaks and burns the infant's cradle.
Untamoinen thus reflected:
"Never will this fell Kullervo
Be a worthy nurse for children,
Cannot rock a babe in safety;
Do not know how I can use him,
What employment I can give him!"
Then he told the young magician
He must fell the standing forest,
And Kullervo gave this answer:
"Only will I be a hero,
When I wield the magic hatchet;
I am young, and fair, and mighty,
Far more beautiful than others,
Have the skill of six magicians."

Thereupon he sought the blacksmith,
This the order of Kullervo:
"Listen, O thou metal-artist,
Forge for me an axe of copper,
Forge the mighty axe of heroes,
Wherewith I may fell the forest,
Fell the birch, and oak, and aspen."

This behest the blacksmith honors,
Forges him an axe of copper,
Wonderful the blade he forges.
Kullerwoinen grinds his hatchet,
Grinds his blade from morn till evening,
And the next day makes the handle;
Then he hastens to the forest,
To the upward-sloping mountain,
To the tallest of the birches,
To the mightiest of oak-trees;
There he swings his axe of copper,
Swings his blade with might of magic,
Cuts with sharpened edge the aspen,
With one blow he fells the oak-tree,
With a second blow, the linden;
Many trees have quickly fallen,
By the hatchet of Kullervo.
Then the wizard spake as follows:
"This the proper work of Lempo,
Let dire Hisi fell the forest!"

In the birch he sank his hatchet,
Made an uproar in the woodlands,
Called aloud in tones, of thunder,
Whistled to the distant mountains,
Till they echoed to his calling,
When Kullervo spake as follows:
"May the forest, in the circle
Where my voice rings, fall and perish,
In the earth be lost forever!
May no tree remain unlevelled,
May no saplings grow in spring-time,
Never while the moonlight glimmers,
Where Kullervo's voice has echoed,
Where the forest hears my calling;
Where the ground with seed is planted,
And the grain shall sprout and flourish,
May it never come to ripeness,
Mar the ears of corn be blasted!"

When the strong man, Untamoinen,
Went to look at early evening,
How Kullervo was progressing,
In his labors in the forest;
Little was the work accomplished,
Was not worthy of a here;
Untamoinen thus reflected:
"Young Kullervo is not fitted
For the work of clearing forests,
Wastes the best of all the timber,
To my lands he brings destruction;
I shall set him making fences."

Then the youth began the building
Of a fence for Untamoinen;
Took the trunks of stately fir-trees,
Trimmed them with his blade for fence-posts,
Cut the tallest in the woodlands,
For the railing of his fences;
Made the smaller poles and cross-bars
From the longest of the lindens;
Made the fence without a pass-way,
Made no wicket in his fences,
And Kullervo spake these measures.
"He that does not rise as eagles,
Does not sail on wings through ether,
Cannot cross Kullervo's pickets,
Nor the fences he has builded."

Untamoinen left his mansion
To inspect the young boy's labors,
View the fences of Kullervo;
Saw the fence without a pass-way,
Not a wicket in his fences;
From the earth the fence extended
To the highest clouds of heaven.
These the words of Untamoinen:
"For this work be is not fitted,
Useless is the fence thus builded;
Is so high that none can cross it,
And there is no passage through it:
He shall thresh the rye and barley."

Young Kullervo, quick preparing
Made an oaken flail for threshing,
Threshed the rye to finest powder,
Threshed the barley into atoms,
And the straw to worthless fragments.

Untamoinen went at evening,
Went to see Kullervo's threshing,
View the work of Kullerwoinen;
Found the rye was ground to powder,
Grains of barley crushed to atoms,
And the straw to worthless rubbish.

Untamoinen then grew angry,
Spake these words in bitter accents:
"Kullerwoinen as a workman
Is a miserable failure;
Whatsoever work he touches
Is but ruined by his witchcraft;
I shall carry him to Ehstland,
In Karyala I shall sell him
To the blacksmith, Ilmarinen,
There to swing the heavy hammer."

Untamoinen sells Kullervo,
Trades him off in far Karyala,
To the blacksmith, Ilmarinen,
To the master of the metals,
This the sum received in payment:
Seven worn and worthless sickles,
Three old caldrons worse than useless,
Three old scythes, and hoes, and axes,
Recompense, indeed, sufficient
For a boy that will not labor
For the good of his employer.-

KALEVALA COGNITION RESIDES IN THIS COTTAGE

PARRILLA

RABOLA BLOSSOM

July 6, 2020 at 7:29 PM

#RABOLA 103 REPRODUCTIVE WRITE ⮘
#jennaveroni #MetaFile #ELF #Tail
#Pathogenic #SexOrgan 0001 ⬣ ⮇ 1
#UPLOAD #APPLICATION
20:20 #LoadingDock
818 #Outsourcing #Port
20:20 I'm On #Parrilla
20:20 I'm On #Lovvorn
I'm Rabola 103
I'm On Parrilla&Lovvorn
Living for The City
TRANS-PORT

#RABOLA 103 REPRODUCTIVE WRITE ⮙
#jennaveroni #MetaFile E-#Lab-Oration
#Pathogenic #SexOrgan 0010 ⮈ ⮆ 4
In The Untranslated Region
20:20 I Am Living
Just Enough for The City
103 #ViroScape
Com-Post&Cottage
20:20 Bay-and-Gable
20:20 Apartment #Complex
20:20 #METROPOLIS
#Builder

#RABOLA 103 REPRODUCTIVE WRITE ⮚
#jennaveroni #MetaFile #Port
#Pathogenic #SexOrgan 0011 ⮉ ⮅ 10
#Utilize #TimeTrack
01/11/20 to 01/11/21
20:20 #Field
20:20 #Platform
20:20 #Implementation
Rabola 103 Machinery
#Gain #ESCRT #Machinery
20:20 Pro-#Duct
Ducts&Drafting
Messenger RNA

#RABOLA 103 REPRODUCTIVE WRITE ⮛
#jennaveroni #MetaFile Motivate
#Pathogenic #SexOrgan 0100 ⮊ ⮄ 19
20:20 #Productivity #Boost
20:20 #Tisiphone 103
20:20 Jenna Veroni
20:20 Astute Schemer
20:20 Plots&Schemes
20:20 Viro-Scaping
w/Rabola 103
This is The Super Virus Game
#Paradigm

#RABOLA 103 REPRODUCTIVE WRITE ⮘
#jennaveroni #MetaFile Fringe MUA
#Pathogenic #SexOrgan 0101 ⮋ ⮇
"This is Not Literature
It's Some Sort of
Dread Disease"
That's What They Said of
Bailey Sarian
She Be Promptin'
'Bitch, Puhleeze'
w/Her Ill-Fangled Visage
and Suspish Slang
#mRNA

#RABOLA 103 REPRODUCTIVE WRITE ⮙
#jennaveroni #MetaFile 55
#Pathogenic #SexOrgan 0110 ⮈ ⮆
20:20 Ill-Fangled
Ill-Fangled Visage
You Better Watch
Some Makeup Tutorials
So You Don't Have to
Stand A Ghast
20:20 an Ugly Wench
That's A Ghast
Ill-Fangled Visages
w/Bailey Sarian
#mRNA

#RABOLA 103 REPRODUCTIVE WRITE ⮚
#jennaveroni #MetaFile Ejaculate
#Pathogenic #SexOrgan 0111 ⮉ ⮅ 64
#AUG Shimma Shimma
Roxette Arisa
Deliver Analog
CDS #CDS
#QuickConfigure
#KillerGenome
20:20 Wicked Weaver
Metropolis Builder
20:20 I Go to
THE JULIA ADAMS MUA
COMPOUND
#Circuit

#RABOLA 103 REPRODUCTIVE WRITE ⮛
#jennaveroni #MetaFile #Paradigm
#Pathogenic #SexOrgan 1000 ⮊ ⮄ 85
In The Untranslated Region
Bailey Sarian Ate
The Man in The Yellow Hat's
Pet Monkey,
George,
20:20 Just Like She Done
She Just Like She Did to Willis
She Ate His Monkey,
#Arnold

#RABOLA 103 REPRODUCTIVE WRITE ⮘
#jennaveroni #Metaprogramming
#Pathogenic #SexOrgan 1001 ⮋ ⮇
#YouTube IRES
#RabolaPolymerase
You Don't Have to Be
a Biker Chick
to Be a #YouTube #MUA
You Don't Have to Have
a True Crime #Digest
to Influence Hussie Fab
20:20 Just Be Yourself
103

#RABOLA 103 REPRODUCTIVE WRITE ⮙
jennaveroni #UnZip (-)ssRNA Virus
#Pathogenic #SexOrgan 1010 ⬣ ⮆ #ELF
5 Cap Prime
20:20 I'm On #Parrilla
20:20 I'm On Lovvorn
20:20 I'm in #Traffic
I'm Like a Hoodlum on
The Metabolic Pathways
I'm a Hardcore Super Virus
I'M RABOLA 103
#Identity